1. Lawrence E. Walker Foundation Collection Slavery and Underground Railroad, World War II and Korean War Collection (research, photographs and film) research files, digital photographs, films, books and over 20,000 albums of of blues, jazz, big band and talking heads in the 20’s, 30’s, 40’s, 50’s and 60’s.
Filmmaker LAWRENCE E. WALKER has spent over 30 years collecting historic photographs, visiting African- American historic sites in New Jersey, Pennsylvania and New York. He has done researching on a 2-set CO-ROM titled Journey to Freedom: The African-American Experience in New Jersey, 1638-1931, a project which includes a book, an educational CD-ROM and an inspirational music CD. Lawrence is President/CEO of PureHistory and the Lawrence E. Walker Foundation Collection in Somerset, NJ. He has worked as a free-lance cameraman and editor for NBC, CBS, News 12 and TKR Cable Company, and worked on the PBS documentaries Paul Robeson: a Commentary, To Serve My Country, To Serve My Race, and The Life of Paul Robeson. A graduate of Kean University, he lives in Somerset, New Jersey. Lawrence E. Walker, was born in Elizabeth, New Jersey.
In 1995, Lawrence partnered with Renaldo Mack and founded a production company called Bull’s-Eye Production Inc., which would develop documentaries for Cable T.V & Network T.V. They produced two award winning projects titled: “Serve My Country, To Serve My Race,” and “Here I Stand Determine.” In 1996, Lawrence had the opportunity to work with a brand new 12 hour Cable News Network called News 12, Edison, New Jersey, editing news before it was broadcast. Mr. Walker, is President/CEO of PureHistory, which is an online social social search engine and media network focusing on American History and around the world. In 1997 he was awarded an Army Person of the Year Award in Philadelphia, Pennsylvania for his research on the history of African American Women who served during World War II. He documented over 60 years of history being lost in 2-3 newspaper publications. In 2000 he started working on a 6-hour documentary on Slavery and the Underground Railroad in New Jersey, Pennsylvania and New York between 1600 to 1800’s.
Sweet Georgia Brown
This documentary examines the racial and gender policies that defined the status of African-American Women in the military during World War II. Interviews and primary sources reveal the unique experience of being an African-American woman in the military during this period. The story of these inspiring women, from the struggles they faced to they triumphs they accomplished, is one rarely discussed in American history, but one which should not be overlooked.
He spent over 25 years gathering research data consisting of over 3000 documents and over 30,000 digital photographs, filming over 50 historian, and reenacting the (colonial period) Revolutionary War and Civil War times. This kind of work has never been done before within the states of New Jersey, Pennsylvania, and New York. In 2009 he was commission by Kennesaw State University in Georgia to research, photograph and film historical churches, cemeteries and plantations from 1700’s-1800’s, title: “Oh Freedom.” As part of another historical collection, Lawrence Walker also interviewed 160 African-Americans males and female veterans of World War II and the Korean War. In 2016 Lawrence Walker competed his latest historical documentary and book focusing on African American Women during World War II titled “Sweet Georgia Brown.” Mr. Walker is President/CEO of Sankofa Museum of African American Diaspora of History and Culture looking to build a museum in Newark, New Jersey 2022-23. Mr. Walker’s, long term goal is to take parts of these collections and put them in Sankofa Museum of African American Diaspora of History and Culture library in Newark and make it accessible globally to the world.
2. Philip J. Merrill, Nanny Jack & CO (African American HeritageConsultant)
Historian, writer, appraiser and collector Philip J. Merrill was born in 1962 in Baltimore, Maryland, and grew up in the Sandtown-Winchester neighborhood of Baltimore. His mother headed a nonprofit job training institute for the disadvantaged; his father, George B. Merrill, was a pastor. Merrill’s great-grandmother helped to raise him. He was one of only two African American students in his graduating class of 1981 at the Friends School of Baltimore. Merrill would go on to graduate from Loyola University in Maryland in 1985.
In 1994, Merrill founded the organization Nanny Jack & Company, an archives and consulting agency specializing in creating projects that illuminate the African American experience through memorabilia, oral history and research. The company would eventually house over 30,000 artifacts, including photographs, rare books, folk art, documents, music, dolls, furniture, and quilts. Nanny Jack & Company would go on to collaborate with various educational organizations and television channels, including The Smithsonian Institution’s Anacostia Museum and Center for African American History and Culture, the Discovery Channel, the Maryland Historical Society, Maryland Public Television, and the History Channel. In 1996, Merrill became an appraiser with the Public Broadcasting Service’s (PBS) television show Antiques Roadshow. He created the category for black memorabilia on Antiques Roadshow, and would stay on the program until 2001. Then, in 2006, Merrill became a fellow of Open Society Institute, where he developed the “Know History, Know Self” program, which used artifacts to teach African American students about their family, community and school history.
Philip J. Merrill gives his feedback on the Jim Crow Era and Billie Holiday
By the late 1930’s, America was deep in the Jim Crow era. Baltimore, located in a southern U.S. state, was a hotbed for issues surrounding Jim Crow. Billie Holiday, among other great Baltimore musicians of this time period, performed music that would challenge Americans to end Jim Crow and bring about a truly equal society.
In 1998, Merrill published the book The Art of Collecting Black Memorabilia, and, in 1999, he published The Black America Series: Baltimore, which chronicled the history of the Baltimore’s African American community. Merrill was also the editor of a 2002 book of historical photographs entitled The World War II Black Regiment that Built the Alaska Military Highway: A Photographic History. Then, in 2013, he authored the children’s book, How Princess Wee Wee Got Her Name. Merrill was named Baltimore City Paper’s Best Historian in 2001, and, in 2002, Merrill received the Towson University’s Distinguished Black Marylander Award. He was awarded an Honorary Doctorate of Humane Letters from Eastern Theological Seminary in 2007. Philip J. Merrill was interviewed by the The HistoryMakerson August 8, 2013.
4. Joe and Gwen Rasdale (the biggest slave shackle collections inthe world)
“Lest We Forget” –Museum of Slavery, founded 2002 is home to the private Ragsdale collection of slavery artifacts, Bill of Sale documents and Jim Crow memorabilia owned by J. Justin & Gwen Ragsdale. The exhibit includes authentic slave shackles, chains, whips, branding irons and other items that were used for human bondage and punishment. It also includes numerous objects from the Jim Crow era that negatively depict Blacks. This compelling collection truly brings history alive and provides a better understanding of the pain and suffering endured by kidnapped Africans brought to America and other parts of the world and held in bondage for hundreds of years. The LWF extensive collection of slavery artifacts and other items were acquired over the past 45 years by J. Justin Ragsdale. LWF Museum is the only museum in Philadelphia, PA with authentic slavery artifacts that include: shackles, branding irons and other forms of punishing ironware from the Trans-Atlantic slave trade.
Their collection also includes numerous genuine documents that promoted the buying and selling of enslaved Africans. These rare collectibles bring history to life. Together we provide moving presentations and use items in the collection to demonstrate what it was truly like to “Be a Slave.” Mr. Ragsdale’s vast experience has made him a renowned expert in authenticating slavery artifacts, documents and the like. Both collectors and sellers constantly call upon him for his knowledge. During presentations he uses several of his extraordinary collectibles to demonstrate and explain what it was truly like to “Be a Slave.” Gwen uses her skills to deliver compelling presentations that she inter-weaves with historic accounts and actual slave narratives. She coordinates the museum tours, traveling exhibits and researches and writes the contextual descriptive panels displayed throughout the collection. Together, the Ragsdale’s shed light on a dark and tragic period in American history and pays tribute to the generations of slave ancestors who greatly contributed to the building of America. Lest We Forget Slavery Museum and LWF Traveling Exhibit(s) perfectly document how differently coming to America was for enslaved Africans.
5. Oran Z Belgrave Collection (African American Slavery Collection)(interviewed)
On a recent afternoon, from the villa’s oversize front door emerges a short, heavyset black man wearing an elaborate black-and-gold agbada, a sleeved robe from West Africa. His name is Oran Z.
Before he moved to this isolated spot in 2012, he presided over an independent museum of his own making, Oran Z’s Pan-African Black Facts & Wax Museum in Los Angeles. It offered a dizzying kaleidoscope of black Americana, from wax figures to historical artifacts to racist, Jim Crow-era memorabilia. From 1999 to 2011, the popular local attraction presented an up close and idiosyncratic view of African-American history in a largely black neighborhood. But when a massive redevelopment project came to the area, Oran says, he was forced to close. He packed his collection — some 3 million objects, he says — into shipping containers and exiled himself to the desert. Now, the passion project that he saw as a public service has become a millstone.
Oran, 67, is struggling with both poor health and worry over the future of his life’s work — a strange, surprising chronicle of black Americana. There’s no one — or institution — lined up to take care of the sprawling collection, and he fears this slice of an often undocumented part of African-American history may die with him. Parts of this history are currently housed on the full-to-bursting shelves that line most of the walls in the living room of Oran and his wife of 18 years, Betty Belgrave. Among them are some items of historical interest: baseballs from the Negro Leagues, slave shackles, a purple triangle badge used to mark Jehovah’s Witnesses in Nazi concentration camps. And there are many blatantly racist items — from “Alligator Bait” postcards featuring black children and mammy-shape cookie jars to cast-iron “Jolly N*****” coin banks.
Oran Z’s Black Pan African Facts & Wax Museum Collection Tour 8 years ago (parts of his collection)
Black Pan African Facts & Wax Museum with Oran Z, http://oransblackmuseum.com/ Oran Z. Belgrave, who owns the Pan African Black Facts & Wax Museum in Los Angeles. The museum houses thousands of items related to African American history that Belgrave has collected over the years.
Oran Z. Mcclain Belgrave Sr.
Black memorabilia in the Doll Room, at the Pan African Black Facts & Wax Museum!
7. Eric Edwards African Art Collection Worth $10 Million
Eric Edwards African Art Collection Worth $10 Million. Please visit www.dynastamir.com for indigenous African creativity, art, jewelry, and clothing. www.searchforuhuru.com to support our projects. Lastly, buy one of my children’s books at https://www.amazon.com/Dynast-Amir/e/…. P instagram:dynastamir instagram:searchforuhuru facebook:searchforuhuru twitter:searchforuhuru photo courtesy of Okay Africa.
Inside the Bed-Stuy Home of Eric Edwards and His $10 Million-Collection of African Art By Sam Blum
Edwards at his home in Bed-Stuy. Photo: Jane Bruce
Eric Edwards lives on an unassuming street lined with tall, red-brick buildings in Bed-Stuy. His own building is otherwise innocuous, and lends itself to no more rumination than any neighboring apartment complex. But inside this building, and in his very apartment, Edwards stows an estimated $10 million collection of African art and tribal artifacts.
His collection sprawls so densely across the floor, it’s as if it is part of it, growing from the ground beneath. The effect is impressive, if somewhat jarring; the smooth and jagged contours of his sculptures, drums, tools, weapons and weavings careen towards the ceiling like breaking waves in a choppy current. To walk through this living room is to experience generations of African history, and you’d be a fool if you weren’t anxious about breaking a piece worth more than your yearly salary.
At the end of the vibrant maze stands Edwards, a retired AT&T executive who’s lived in Brooklyn his whole life, minus a two year stint in Atlanta. Although his collection elicits awe and wonder in guests, Edwards is thoroughly at ease among “the spirits.” Edwards’ sister, Myrna Edwards-Williams, says that her brother has “always been a collector, since he was little.” She invokes memories of Eric fiddling with things like Lionel Trains and baseball cards as a boy, only to find him polishing dust off a massive shelf packed with 40,000 LPs as a man.
While his 1,600 piece collection of African art borders on the fringes of compulsion, especially considering the lengths he’s gone to acquire certain works, Edwards is more like an archaeologist searching for missing links than a collector looking to profit. The artifacts, which he gradually acquired through auctions and his relationships with different gallery owners over the last forty-five years, span all fifty-four countries of the African continent. Some are even 2,000 years old. His pursuit is the preservation of history, something for which he gained reverence through his father as a boy.
“He realized that we needed to know something about our culture and our history because he saw it wasn’t taught in the public school system,” Edwards says of his father, an immigrant from Barbados in the 1930’s. This importance of knowing one’s self and one’s heritage is the reason Edwards has been amassing these artifacts for so long.
Edwards said his dad emphasized education so as to “inoculate us from racism so we would always be proud of ourselves, know where we came from and know that we can accomplish whatever we wanted to.” In the spirit of that message, Edwards, who only unveiled his collection publically for the first time in 2003, announced a Kickstarter campaignthis month geared towards opening The Cultural Museum of African Art, a would-be permanent home for his assemblage that he hopes to establish in Bed-Stuy.
Opening a museum isn’t a matter of simply celebrating the precious relics in his possession, but rather, a way of extending his dad’s message of personal empowerment.Edwards wants to convey the multi-faceted aspects of African heritage to a large audience, primarily young people of color. Edwards says that giving African-American kids a window into their cultural past will inevitably translate into “a greater sense of self-respect and motivation…and it’s going to make them better citizens and contributors to society, and we really need that.”
Although Edwards’ collection has gradually crowded the floor space of his apartment over the years and stayed put there, his experience in acquiring such a vast cadre of artifacts is as rich and varied as the objects themselves. He points to a weaving from Cameroon to illustrate this concept, explaining that a royal family performed a passage of rights to formally grant him ownership of the object, which had originally belonged to a tribal chief. The ceremony didn’t take place in Cameroon however, but right in his apartment in Brooklyn, next to his kitchen. “For me to take possession of this piece, he [the chief] had to send emissaries here to Brooklyn with the piece, totally enshrouded in a special casing, which they had to unwrap. Then there was as special ceremony that they conducted in the Bamileke language,” says Edwards.
8. Fox News Channel Interview with Dr. Joel A. Freeman at the United Nations about the Freeman Institute Black History Collection & the Gallery Project
Joel Freeman Collection
Dred Scott, his wife, Harriet and 2 daughters and Eliza and Lizzie
Joel Freeman speaks all over the world on various topics (leadership, emotional intelligence, conflict resolution, diversity…) to many different organizations. This is the segment from Fox News Channel with Kelly Wright on his program, “Beyond The Dream” aired Feb 4th, 2012. The interview was shot in May 2011 at the United Nations. BACKGROUND: Twenty original documents and artifacts from The Freeman Institute Black History Collection were showcased at the United Nations Transatlantic Slave Trade exhibition (March – May 2011). After years of research, Dr. Joel A. Freeman has cobbled together a rather remarkable Black History collection of well over 3,000 genuine documents and artifacts. The oldest piece is dated 1553 –. One of the items that was exhibited at the United Nations was a priceless 50 pound slave ball found off the coast of Florida at the site of the oldest documented slave ship wreck, the Henrietta Marie. The ship sank sometime between June and July of 1700. Another item was an authentic metal neck piece, designed to be welded permanently around the neck of a young female slave. It has metal balls and rings incorporated into the piece so that her movements could be detected at all times. Another piece on exhibition was the one-of-a-kind 1833 document hand written by Lord Aberdeen, who at that time was the British Foreign Consul in Trieste, Italy.
Civil War locket worn by a African American Soldier
It announced what would happen to any British subject who was still involved in the Slave Trade. Aberdeen later became the Prime Minister of Great Britain. Also included were two signed 1858 slave insurance policies from La Protectora, an insurance company in Cuba, providing proof that slave traders routinely covered the people they enslaved with life insurance policies. Consequently, they didn’t care if they had to push slaves overboard or even if the slaves lived or died on the voyage. The traders were paid regardless. Many other items were also on display, including: engravings of slave ships, a document about a Chinese slave in Cuba written in Chinese on one side and Spanish on the other, a 14-page hand written Peruvian register (1811) from San Bartolome’ Hospital (built in the late 1600’s) listing the African slaves, and an extremely rare plaque (Eastgate Pottery) commemorating William Wilberforce and his anti-slavery campaign. The Freeman Institute Black History Collection is utilized by The Freeman Institute Foundation to help establish Black History Galleries across America and in selected communities internationally — designed to educate and inspire young people of all ages –.
In 2012 the United Nation invited Dr. Freeman to showcase 20 more documents and artifacts in the “Transatlantic Slave Trade” exhibition (March – May, 2012). This is the 2nd year Dr. Freeman has participated in this particular exhibition. Also, the United Nations is continuing to show documents from The Freeman Institute Black History Collection in their on-going exhibition traveling around the world. Already eleven nations have signed on (Madagascar, Colombia, Switzerland, Senegal, Trinidad & Tobago, Bolivia, etc.), with more countries expressing interest in hosting the exhibit.
9. Elizabeth Meaders Collection has homemade Black History collection in her NYC home by Emily Sowa and Toby Hershkowitz
NEW YORK (WABC) — Elizabeth Meaders is a retired school teacher who taught at a school named after her great-great grandfather, who was the last slave freed on Staten Island.
In what may be the most comprehensive collection of African-American history assembled by a single person, Meaders owns over 50,000 items in her home. Meaders invited ABC7 into her home which at first looked like a makeshift museum experience, but took us back in time in a deep seeded history of America.
“I’ve been working very systematically on the collection for more than 50 years. This only being done for my own personal pleasure, but now I realize that I was on to something serious and worthwhile,” said Meaders.
In terms of African American History, this is the mother load. “This is a World War I French helmet. This hat could tell the whole story of the Vietnam war,” she said, “It reads – I don’t want to die in no white man’s war.” From civil rights and what she calls “civil wrongs”, to military, politics, education and religion, Meaders has quite the collection. “When you don’t know the history of people it’s very hard to respect them. And so I call my collection a healing and teaching entity. It’s my whole purpose.”
Meaders ended the tour by performing what she calls “an old lady’s rap” in honor of the 400th Anniversary of African Americans being enslaved in America. Listen to her “rap” and read below:
From civil rights and what she calls “civil wrongs”, to military, politics, education and religion, Elizabeth Meaders has quite the collection. Meaders is a retired school teacher who taught at a school named after her great-great grandfather, who was the last slave freed on Staten Island.
In what may be the most comprehensive collection of African-American history assembled by a single person, Meaders owns over 50,000 items in her home. Meaders invited ABC 7 into her home which at first looked like a makeshift museum experience, but took us back in time in a deep seeded history of America (see video below).
In terms of African American History, this is the mother load. “I’ve been working very systematically on the collection for more than 50 years. This only being done for my own personal pleasure, but now I realize that I was on to something serious and worthwhile,” said Meaders. “When you don’t know the history of people it’s very hard to respect them. And so I call my collection a healing and teaching entity. It’s my whole purpose.”
Bill Costen: Nation’s First African American Cemmercial Air Balloon Pilot
Hot air balloon pilot Bill Costen is one of few to receive the prestigious ‘Ed Yost Master Pilot Award.’ This lifetime achievement award recognizes pilots who have demonstrated safe operations for 40 or more consecutive years.
Bill Costen, of Bloomfield, has an exhibit, In Honor of African American Veterans: The Costen Cultural Exhibition, at the Hartford Public Library. The exhibit includes hundreds of photographs and items from Costen’s collection. It runs through Dec. 14. (Cloe Poisson / Hartford Courant)
Bill Costen, born William Hollis Costen is an African-American hot air balloon pilot, business owner, photojournalist, professional photographer, black memorabilia collector, curator, archivist and exhibitor. Born in Omaha, Nebraska in 1947, he grew up playing sports and earned a Boy Scouts of America Eagle Scout badge by the age of 13. He played football in high school and graduated from Central High in 1965. He attended the University of Nebraska in 1965 and transferred the next year to Morris Brown College in Atlanta, Georgia, where he graduated with a double major in mathematics and psychology and received a Bachelor of Science degree in 1970.
During the summers of his college years, Costen worked as a porter on the Union Pacific Railroad with train runs from Omaha to Idaho, Utah, Wyoming and Denver Colorado. After graduation, the Buffalo Bills professional football team drafted him as a defensive tackle. During his very first game, he realized a dream as he picked up the ball on a blocked punt and scored the only touchdown for Buffalo against the New York Jets. After leaving Buffalo, he played two years with their farm team, The Hartford Knights, located in Hartford, CT. For the next 14 years, he worked in the insurance industry at Travelers, CG/Aetna, CNA and CIGNA as a commercial property/casualty underwriter. Having an entrepreneurial spirit, he always wanted to own his own business.
Bill’s ballooning career began in 1975 when he created and designed “The State of Connecticut Bicentennial Balloon,” which was dedicated by Governor Ella Grasso. He became a Raven (Aerostar) Dealer and started Sky Endeavors with Jim Isler; a hot air balloon company dealing in sales, instruction, rides and promotions. Throughout the years, Bill has trained several people to become balloon pilots and has used his balloon for advertising purposes for many major corporations. He has given tether rides to thousands of people attending annual fairs and outdoor functions. He has done grand openings for car dealerships, restaurants, stores, malls and businesses across Connecticut. Schools have used his balloon to motivate, reward and entertain students. Many organizations have rewarded employees and supporters with gift certificates to fly at their leisure.
Bill has given balloon rides to thousands of people and has done numerous promotions for various companies and organizations. He has flown in balloon festivals and races all over the country, and has been featured in many newspapers and magazines. He was an active member of The International Professional Balloon Pilots Racing Association. Being the first African American commercial hot air balloon pilot in the country, he was featured in Ebony Magazine in 1977 and Black Enterprise in both 1981 and 1989. In 2016, he received a Lifetime Achievement Award from the Balloon Federation of America called the “Ed Yost Master Pilot Award,” which recognizes lighter than air (LTA) pilots who have demonstrated professionalism, skill and aviation expertise by maintaining safe operations for 40 or more consecutive years as active pilots.
Bill has been President and CEO of Sky Endeavors LLC (hot air balloon promotions) since 1975; Owner of The Costen Cultural Exhibition (traveling exhibition) since 1988; Photojournalist for Northend Agents (African American newspaper in Hartford CT) and a professional photographer specializing in documenting historic and special events including sports, celebrities and politicians since 1999. He has been on the Board of Directors of the New England Air Museum of Windsor Locks CT since 1989, and has served as a deacon and church photographer at The First Cathedral in Bloomfield, CT since 1991. He has received community awards and has been a guest speaker for different organizations. In 2014, he received the June Archer & Eleven28 Entertainment’s One Hundred Men of Color Award, which recognizes men of color in business, education, entrepreneurship, government, entertainment and service and the impact they have on the lives of people throughout their communities.
Bill’s collecting interests originated in high school with his coin collection and saving his Eagle Scout uniform, badges and certificates. He also saved his railroad memorabilia from working on the Union Pacific Railroad during the summer of his college years. Being an avid archivist and collector, he created “The Costen Cultural Exhibit,” a unique collection of rare photographs, ephemera, memorabilia, fine art and collectibles. The collection has been custom designed to travel to any location and show the contributions and accomplishments of Americans with an emphasis on African Americans throughout history. Topics address the interests of all age groups and include: Africa, slavery, civil rights, politics, government, invention, science, athletics, sports, aviation, military, music, dance, theater, literary arts, religion, radio, film, television and other forms of popular entertainment. It includes exhibitions on the history of “African American Golf,” “The Tuskegee Airmen,” “The Pullman Porters” and a photographic history of “The Freedom Schooner Amistad.” The exhibit has been displayed at fundraising events, schools, colleges, universities, museums, historical societies, churches, community organizations and corporations.